Humayun's Tomb, Delhi
Humayun's
tomb is the first Indian building to use the Persian double dome; it is noteworthy
for its harmonious proportions. As with later Mughal tombs, that of Humayun
is set upon a podium or platform (see another example in the Taj Mahal).
The most obvious Indian features of the architecture are the small kiosks or
chhatris on the roof. The building is also noteworthy for its inlaid tile work,
carving embodying both Indian and Persian decorative elements, and its carved
stone screens.
The mughals brought with them a love for gardens, fountains and water. The first
mature example of Mughal architecture in India, Humayun's Tomb was built by
the emperor's grieving widow, Haji Begum, in 1565 AD.
Constructed with red sandstone and ornamented marks the beginning of a new tradition
of ornate style which culminated in the Taj Mahal of Agra.
Designed by the Persian architect, Mirza Ghyas, Humayun's Tomb shows a marked
shift from the Persian tradition of using coloured tiles for ornamentation.
Located in the midst of a large square garden, screened by high walls, with
gateways to the south and west, the tomb is a square tower surmounted by a magnificent
marble dome. The dome stands 140 feet from the base of the terrace and is topped
with a copper pinnacle.
In addition to the remains of Humayun, the complex also houses the grave of
many other distinguished members of the Mughal dynasty.
The first Mughal Emperor, Babur, was succeeded by his son, Humayun, who ruled
in India for a decade but was expelled. Eventually he took refuge with the Safavid
shah of Persia, who helped him regain Delhi in 1555, the year before his death.
Humayun's Persian wife, Hamida Begum, supervised the construction from 1562-1572
of her husband's tomb in Delhi.
The architect, Mirak Mirza Ghiyuath, was Persian and had previously designed
buildings in Herat (now northwest Afghanistan), Bukhara (now Uzbekistan), and
elsewhere in India. The location chosen for the building on the bank of the
Yamuna river adjoins the shrine of an important Sufi Chistiyya order saint,
Nizam al-Din Awliya.
The Chistiyya was particularly venerated by the Mughals; Humayun's son, Akbar,
would build his new palace at Fatehpur Sikri next to the shrine of another saint
of the Chistiyya order. The tomb established some of the important norms for
later Mughal mausolea. It is set in a geometrically arranged garden criscrossed
by numerous water channels and probably representing symbolically a paradise
setting.
Such typical Persian gardens had been introduced into India by Babur; later
they would be found in the Red Fort in Delhi and at the Taj Mahal in Agra. The
architectural form of the building is Persian and especially in its main chamber
shows some familiarity with the tomb of the Mongol Ilkhanid ruler of Persia,
Oljeytu, at Sultaniyya.
It is one of a long line of Mughal buildings influenced by Timurid architecture,
notably the tomb of Timur (Tamerlane) in Samarkand. Babur was proud of his Timurid
heritage and deeply regretted his inability to hold Samarkand. His successors
continued to dream of regaining Samarkand and would interrogate visitors about
Timur's tomb.
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in India Humayun's
Tomb, Delhi India
Gate, Delhi Khajuraho
Temples Konark
Temple Lake
Palace, Udaipur
Qutub Minar, Delhi
Taj Mahal, Agra
Umaid
Bhawan Palace, Jodhpur
Ajanta Ellora
Charminar, Hyderabad
Fatehpur
Sikri, Agra Gateway
of India, Mumbai